EDUCATION

Yale University, School of Art M.F.A. 1989
The Cooper Union, School of Art B.F.A. 1987

SOLO AND TWO PERSON EXHIBITIONS
 
Cheryl McGinnis Gallery, New York, NY, Solo Show: “Naiads”, 11/10
Gallery at Kinderhook Group, Salisbury, CT, Solo Show: “Down the Shore”, 4/09
Park Row Gallery, Chatham, NY, Solo Show: “Down the Shore”, 9/08
Cheryl McGinnis Gallery, New York, NY, Solo Show: “The Bedroom”, 9/08
Queens College Art Center Gallery, Flushing, NY, Solo Show: “Figure Studies & Banyan Trees”, 9/06
Illinois Central College, East Peoria, Il, Solo Show, 3/06
Cheryl McGinnis Gallery, New York, NY, Solo Show: “Bathers”, 9/05
Numina Gallery, Princeton, NJ, Solo Show, 4/01
Passaic County Cultural Council, Paterson, NJ, Two Person Show, 10/99-11/99
Cheryl McGinnis Gallery, New York, NY, Solo Show, 5/99
Germantown Academy, Ft. Washington, PA, Two Person Show, 2/99-3/99
El Museo Francisco Oller y Diego Rivera, Buffalo, NY, Two Person Show, 1/98
View Point Gallery, Sacramento, CA, Two Person Show, 8/97
Sam Houston State University, Huntsville, TX, Solo Show, 10/96

SELECTED GROUP EXHIBITIONS

Arezzo & Fotografia Biennale, Arezzo, Italy, 12/16
David Bruner Gallery, Hudson, NY, “Corpus”, 5/08
Cheryl McGinnis Gallery, NY, NY, “Black+White=Grey Matter”, 9/07
Longwood Arts Gallery, Bronx, NY• “EnFoco’s 10th Anniversary of New Works Photography Awards” 5/07
Town Hall, Flushing, NY, “Sheer Beauty” 12/06
David Bruner Gallery, Hudson, NY, “Photographs, 1860-Present”, 10/06
Cheryl McGinnis Gallery, NY, NY, “Swimmers, Posers, Bathers”, 6/06
Soho Photo, New York, NY, “Alternative Processes Exhibition”, 5/06
Cheryl McGinnis Gallery, New York, NY, “Welcome Home”, 4/06
Broadway Gallery, New York, NY, “Select Encounters” 1/06
Town Hall, Flushing, NY, “Through Kids’ Eyes” 4/05
The Urban Center, New York, NY, “Landmarks of New York” 4/05
Bard College, Annandale-on-Hudson, NY, “This is not an Archive” 2/05
Options Gallery, Odessa TX, “Alternative Processes,” 4/04
Bosque Conservatory, Clifton TX, 3/04
University of North Florida, Jacksonville, FL, “Alternative Processes,” 1/04-2/04
Texas Photographic Society, San Antonio, TX, “Alternative Processes,” 9/03
The Cooper Union, New York, NY, “Share the Vision,” 11/00
Bronx Museum of Arts, New York, NY, “A Tribute to En Foco,” 1/00-2/00
Cheryl McGinnis Gallery, New York, NY, “Preview 2000,” 2/00
El Museo del Barrio, New York, NY, “A Tribute to En Foco,” 9/99-1/00
Hostos Art Gallery, Bronx, NY, “Saving the Light: An En Foco Exhibition,” 5/97
Pearl Street Gallery, New York, NY, “25 Valentines,” 2/96
La Mama La Galleria, New York, NY, “Styles & Aesthetics V,” 12/94
Center for Photography at Woodstock, Woodstock, NY, 16th Annual Auction, 10/94
Aljira Fine Arts Auction, Newark, NJ, Auction Exhibition, 6/92
Society for Contemporary Photography, Kansas City, MO, “Current Works,” 10/91
City Without Walls Gallery, Newark, NJ, “Intimacy,” 5/91
Perkins Center for the Arts, Moorestown, NJ, “Photography 10,” 2/91
Holman Art Center, Trenton, NJ, “Mercer County Photography,” 11/90
Trenton City Museum, Trenton, NJ, “Ellarslie Open IX,” 3/90

PERMANENT COLLECTIONS

El Centro de Estudios Puertorriqueños, Hunter College, New York, NY
Bemporad Baranowski Marketing Group, New York, NY
Numina Gallery, Princeton, NJ
Cheryl McGinnis Gallery, New York, NY
Lower East Side Girls Club, New York, NY
En Foco Inc., Bronx, NY
Mercer County Cultural and Heritage Commission, Trenton, NJ
Center for Photography, Woodstock, NY

HONORS AND AWARDS

PSC-CUNY Award, 2008
PSC-CUNY Award, 2006
PSC-CUNY Award, 2005
New Works Competition, 1996, sponsored by En Foco Inc.
Photographers Forum Magazine, Spring 1991, Award of Excellence, 11th Annual Photo Contest
City Without Walls Gallery, 1990, Honorable Mention, 9th Annual Metro Juried Small Works
Ward Cheney Memorial Award, 1989
Ford Foundation Fellowship, 1987 - 1989

WORK PUBLISHED

Alternate Processes in Photography, by Brian Arnold, Oxford University Press, 2017
Arezzo & Fotografia Biennale Catalog, Arezzo & Fotografia, 2016
Gum Printing, A Step-by-Step Manual Highlighting Artists and Their Creative Practice, by Christina Z. Anderson, Focal Press, 2016
The Book of Alternative Photographic Processes, Third Edition, by Christopher James Cengage Learning Press, 2015, pp. 524-526
The Book of Alternative Photographic Processes, Second Edition, by Christopher James, Delmar Cengage
Learning, 4/08, pp. 352,353, 360,361
The Landmarks of New York, Volume IV, Monacelli Press, 4/05, pp. 318, 363,
397, 420, 446, 509, 540, 556, 564, 565
Texas Photo Society: Alternative Processes Traveling Exhibit Catalog, 2003, p.8
Nueva Luz Commemorative Issue, 2002, Bronx, NY, p.33
Professional Photographers of America, June Issue 2000, Atlanta, GA, pp. 50-54
Marie Claire Magazine, August Issue 1999, New York, NY, pp. 39, 40
Ford Foundation: Annual and Quarterly REPORT 1996-1999, New York, NY
American Indian College Fund: Annual Report, 1995-1999, Denver, CO
The Edna McConnell Clark Foundation: Annual Report, 1996-1997, New York, NY, pp. 8, 34, 35
Institute of International Education: Annual Report, 1996, New York, NY, p. 27
Is Progress Speeding Up?, 1997, by John Templeton, Templeton Press, Radnor, PA, p. 150
The Futurist Magazine, March/April 1997, Bethesda, MD, p. 63

REVIEWS

Art of the Times, October 2005, “Cheryl McGinnis Fine Art”, Tina Seligman, p. 28
Art Matters, December 1991, Review of Show at Germantown Academy, Eugenie Argires, p.8
The Kansa City Star, November 1991, Review “ Current Work-1991”, Alice Thorson, p. J4
The New York Times, September 1991, Review “Undead Artists’, Gallery’s Choice of Works by New Members,” Vivien Raynor, p. A3
The Star Ledger, June 1991, Review of “Intimacy” Show at City Without Walls
Gallery, Eileen Watkins, p. 16

WORK CITED

Queens Tribune, April 2005, “Seeing Through the Eyes of a Child”, Michael Rehak
NY Newsday, April 2005, “For Adults, a Different Way of Seeing”, Carl MacGowan, p. G10
NY Newsday, March 2004, quoted in “A Sense of Identity, Defined”, p. A46
Contemporary Artists, Volume 1, (Fifth Edition), St. James Press, 2001 (page 612-612)
Passaic County Arts News, November 1999, “Full Range of Hispanic Heritage”, p.1
Critical Mass, En Foco Inc., 1997, June, Bronx, NY, p. 3
The Star Ledger, September 1991, “Newark Gallery Flourishes Despite Bleak Climate Elsewhere,” Eileen Watkins, p. 12 (section 4)

CONSULTANT

“BRIO Award” Panelist, Bronx Council on the Arts, 3/05
“Antonia Pantoja ¡Presente!” a Documentary film on Dr. Antonia Pantoja, Fall 2003
The Ford Foundation, NY, Photography Consultant, 1995-1998
The American Indian College Fund, NY, Photography Consultant, 1996-1998
The Edna McConnell Clark Foundation, NY, Photography Consultant, 1996-1997

TEACHING EXPERIENCE

Queens College, Flushing, NY
Chair, Art Department
Tenured Professor, September 2002 to present 

New York University, New York, NY
Adjunct Assistant Professor, January 1999 to September 2002

Pratt Institute, Brooklyn, NY
Visiting Artist, January 1998 to September 2002

The Cooper Union, New York, NY
Adjunct Assistant Professor, 1991 to September 2001

Burlington County College, Pemberton, NJ
Instructor 1989 to 1991, Full Time and Tenure Track Appointment
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